Torchwood Writer Gets Online Abuse: Where social media stops being fun

A few days ago, I wrote about the Torchwood 5-day mini series which ended on Friday. During that same evening, it’s with great amusement that I also discovered that James Moran, writer for Severance, and episodes of Doctor Who, Torchwood, Primeval, Spooks, and Crusoe, was on Twitter.

In many ways, I enjoy seeing these backstage celebs on Twitter. By backstage celebs, I mean people who aren’t Britney, MC Hammer or Stephen Fry. Those people can be on Twitter all they like, but they’re already in the limelight. Seeing those who usually don’t get the limelight finally interact with the public through more than their scripts, stories or stage direction is more exciting, as we don’t usually get to hear them speak other than through their characters.

However, this evening, I came across a post by James which allowed me to realise just how seriously some people take television. He received many positive and praising messages, but was also highly criticised for a storyline that even upset me. Yes, I did have a tear in my eye when Rhys held the camera for Gwen to record her final words as “the world ended”.

Some have been spewing insults and passive aggressive nonsense. Accusing me of deliberately trying to mislead, lie, and hurt people. Telling me I hate the fans, that I’m laughing at them, that I used them, that I’m slapping people in the face, that I’ve “killed” the show, that I’m a homophobe, that I want to turn the fanbase away and court new, “cooler” viewers, even that I’m hurting depressed people with dark storylines. Asking me to pass on vitriolic, hateful messages to people I love and respect.

Not cool.

As James says, this just isn’t cool.

I love letting a story envelope me and take me away from work, home, the fact that the kitchen’s still not tidy and the stairs need hoovering. I love a story that lets me get a tiny little crush on one of the characters and picture travelling the stars with them. [Hell, I named my cats after Jack Harkness and Rose Tyler!] And yes, sometimes I want to shout at the TV and disagree with their stupid actions. “Don’t go in there alone and DO NOT put your gun down, you idiot!”

But people, all of you people who’ve given James abuse, get. a. fucking. grip.

“Hurting depressed people with dark storylines”? Please, get some real help. And I’m not saying this intending to offend, but with a true concern that if a TV show is enough to make you cross that line, it’s time to look at getting real help.

And if this isn’t your situation, then please go outside and get some perspective. This is television, and for a change, hey, it’s good enough to make people feel strongly about it by choosing a path less travelled. If the writers had taken the usual path, the same people would have clamoured that the ending was cheesy and predictable!

So have some respect for people and their trade. If a writer can’t join Twitter and enjoy it for what it is – a totally open means of communication with the audience – then writers, actors, authors and other backstage celebs will pull back and let their PR agencies do the talking. And that’s not what we want, is it!?

Here’s 50p, go buy yourself an ice cream and some perspective.

Torchwood's social critique and the education system

This week, many of us have been riveted to our TV screens more than usual. I have, certainly.


BBC experimented with a 5-part miniseries of the Doctor Who spin off show Torchwood, called Children of Earth. I’ve been a fan of Torchwood since the first season – while it hasn’t been a flawless show, it’s been interesting to see sci fi themes of a more adult nature (not in that way, you perv. Well, ok sometimes…) be approached.

This miniseries not only looked at the usual “alien invasion from the skies” theme, but also looked at Britain in a dark and disturbing way.

For those who haven’t seen it, here is the issue in a nutshell:

Britain is forcefully approached by “The 456”, an alien lifeform that approached it over 40 years ago. In 1965, the 456 requested that they were given 12 children, assuring Britain that they would disappear forever, never to come back. In 2009, the 456 comes back, this time requesting millions of children – 10% of the entire child population of the world. Otherwise it would destroy the human race entirely.

When faced with no other option than to obey the 456, the British government, UNIT, the American forces and a number of other worldwide governing bodies come to the difficult decision of choosing the children who should be handed over.

After discussions of random lotteries and “one loss per family” to meet the 325,000 children to be taken from the UK, one government member suggests what many have been thinking: Use the school league tables to select the lower ranking schools and rid Britain of the scum.

The blunt suggestion is accepted and buses are driven to the disadvantaged schools, providing the media with a spin story that the children are being taken away for inoculations as a means of protection.

I won’t give away the ending for those who still may not have watched the last episode, but will instead look at this situation. Sure, aliens are unlikely to land in Thames House tomorrow to make such demands but what about that bottom 10% of school kids?

In the real world of here and now, are we failing our youth by accepting that disadvantaged areas of the country must necessarily mean lower ranking schools, poorer grades and children who will grow up to spend their life on the dole? In top schools, children are expected to go on to further education and get good, meaningful jobs. Of course, they have the added benefits of a childhood in an independent fee-based school and the likelihood of parents who are more actively involved in their education. These aside, are we taking away the disadvantaged kids’ changes by setting expectations too low?

In this fictive situation, the government made the decision for these kids that they would never amount to anything and were therefore the best group to sacrifice, for the sake of the other 90%.

I don’t have kids and I certainly don’t have an answer, but it was insightful to see Torchwood broach what is a rather controversial topic in between battling aliens and saving lives.